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Art, Global Maoism and the Chinese Cultural Revolution. Jacopo Galimberti, Noemi de Haro García, Victoria H. F. Scott, Marsha Meskimmon

Art, Global Maoism and the Chinese Cultural Revolution


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ISBN: 9781526117489 | 376 pages | 10 Mb
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  • Art, Global Maoism and the Chinese Cultural Revolution
  • Jacopo Galimberti, Noemi de Haro García, Victoria H. F. Scott, Marsha Meskimmon
  • Page: 376
  • Format: pdf, ePub, fb2, mobi
  • ISBN: 9781526117489
  • Publisher: Manchester University Press
Download Art, Global Maoism and the Chinese Cultural Revolution

Free download of ebooks in pdf file Art, Global Maoism and the Chinese Cultural Revolution 9781526117489 by Jacopo Galimberti, Noemi de Haro García, Victoria H. F. Scott, Marsha Meskimmon CHM PDF (English literature)

This is the first book to explore the global influence of Maoism on modern and contemporary art. Featuring eighteen original essays written by established and emerging scholars from around the world, and illustrated with fascinating images not widely known in the west, the volume demonstrates the significance of visuality in understanding the protean nature of this powerful worldwide revolutionary movement. Contributions address regions as diverse as Singapore, Madrid, Lima and Maputo, moving beyond stereotypes and misconceptions of Mao Zedong Thought's influence on art to deliver a survey of the social and political contexts of this international phenomenon. At the same time, the book attends to the the similarities and differences between each case study. It demonstrates that the chameleonic appearances of global Maoism deserve a more prominent place in the art history of both the twentieth and twenty-first centuries.

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by A Guiné · 2019 — It was only in the late 1970s, when Mao was dead and China had severed its relations with Maoist guerrillas, that Guzmán and La Torre thought that the. Art, Global Maoism and the Chinese Cultural Revolution
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This is the first book to explore the global influence of Maoism on modern and contemporary art. Featuring eighteen original essays written  Art, Global Maoism and the Chinese Cultural Revolution
However, while it had publicly turned to Marxism-Leninism in 1970, there were various reasons why FRELIMO would not openly acknowl- edge the influence of Maoist  La Familia Lavapiés in: Art, Global Maoism and the Chinese
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Three visions of making China great again. in Art, Global Maoism and the Chinese Cultural Revolution. Chapter DOI: https://doi.org/10.7765/  Index - Manchester Scholarship Online
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